“March On” (The Awakening)

Evacuation but not a fleeing. Bass figure, regardless of the multiple variations, starts and ends with same note, incessantly. Episodic sax overblown, exploring furthermost regions until sinking back so that another instrument can solo. During drum solo, muted cowbell presses eighth notes, then half notes, then nothing; no “whole” to be attained or to move towards, only the difference of the unlike same.


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