One would probably want to worry about the numbering and disregard the LSD theories about the song for the moment. What makes #23 special? Nothing in particular, it seems. Letters are co-authored (anticipating another), and their meaning(s) resonate in unintended ways. All of this makes imagination (the sense of traveling toward an other) both impelling and dispersed. But: this experience comes from #22. So, #23, like the repeated descending arpeggio (with initial pull-off), is a missive about trax as ground(s) for flight. Only “sit[ting] in[side]” for a few moments, at ease: freedom as disposition (and to be spent).