True! First, this electric guitar blues and its solo qualify as strange for 1944 (and prescient in rock’n’roll retrospection). On another level, “strange things,” closely read in Sister Tharpe’s lyrics, are ongoing conversions to “Jesus” from the realm of liardom. But “strange things” refers to the Bible, too, where, “Thine eyes shall behold strange things, And thy heart shall utter perverse things” under the influence of wine (Proverbs 23:33; ASV ). And what strange things are these? The King James Version narrows matters to “strange women”: foreign concubines, prostitutes, adulterers. Perhaps Tharpe takes wine and women and song to heart at the seeming border between the secular and the sacred. Indeed, the border itself is at stake in the very idea of the “strange” more broadly considered as the foreign, alien, different, external, extreme, exceptional, queer, rare, uncommon, singular, and surprising. Advocating a posture of lubricated wonder and welcoming toward the other.