Though the perimeter can be secured safe enough, it’s on the edge/fringe where intrusions happen regardless of the setup/theorization. Synth-bass double-time sections intensify, with shifting snare timbre emphasizing more maniacal attempts at a total lockdown of the home. Half-time outro (with whole note bass accompanying riffing, drums at home in the security state) never repulses the synth hum: the outside lives with/in the borders and the nation.