“Road Runner” (Bo Diddley)

Evasion of intersubjective domination through speed. Futurist, in principle. But so long as speed remains calculable (“I’m the fastest in the land”), it provides a platform for exclusivity (“I’ve got to put you down”). Rock as fundamentally a measure of miles-per-hour, without breaking the sound barrier (much less attaining the blur of warp speed).


Read more "“Road Runner” (Bo Diddley)"