“Home, Unspeakable” (John Duncan and Bernhard Günter)

Wordless soundscape for a Samuel Beckett libretto to Morton Feldman’s Neither: a long track of extreme silences (with intermittent white noise, pops, clickings, and whirrings) punctuated after eighteen minutes by a sounds of a door unbarred, opened, shut, and refortified (three times). The idea of home for the self, or spatial origin and presence (spatial belonging), is a tempting phantasm, but unattainable. Home’s door closes upon approach. No one home, ever, but something (still) stirs: infrasonic refugees.


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