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Our collective love life appears to be determined and bracketed–bound between the covers of a book. It’s just the same old story, really, and we’re all a terrible, sad cliché. Who wrote us, and is the author “someone from above” us? Where is the missing or hidden ur-text, so that we might read it? And finally, “why” is it this book “true” (why am I subject to it)? Seeking answers, by song’s end the sextet peruse the book and forecast that their romances will end happily, as all things must, for lovers, in the genre of the romance. (Breakups are merely plot points in Chapter Four—difficulties to be overcome for purposes of readerly pleasure.) This conventionally happy news, however, cannot cover over the fact that the “who” and “why” questions remain fundamentally unanswered, and that our fate is to remain embedded as type. Let’s assume, then, that no one wrote “The Book of Love,” and for no good reason. And let’s register the dead-stop/single-drumbeat signature in the chorus as a sign of reading interrupted, a break in the question, a Zen-like whack to the skull with a massive tome. C’thunk.