Sanger’s got nothing on this. Sandwiched between the releases of “Uptown” and “He’s a Rebel“— the transition from lionizing the common, alienated working stiff to affirming the sensitive  rebel—Spector’s most unsuccessful single takes dead aim at the foundational violence of the betrothal’s gift: the landed man. Spiraling strings, especially at the song’s center, explain this problematic logic by centering on the “care” which induces the “glad” somnambulance of the “tender” self.