“You” already exist in speed–alternately, in the moving-towards another–yet bi-partite structuring of the social (1st/3rd, white/non-white, etc.) slows everything down. Initial pulsing drones speed up and travel left-right via tape manipulation; then: power trio alternate major minor sustained riffs, only to be violently accelerated with all directions and sonic anchoring points confused. Final staccato section offers up an everyday, banal version of the “you” (which can only be constituted in by traveling through the spacing toward the other) that refuses the third parties that insure “justice.”
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