“Darn That Dream” (Bill Evans)

Borrowing liberally from Holiday’s phrasing, seemingly, piano and guitar jockey for a way to maintain the “one-track mind” needed to live in hope. Piano’s longing to ascend meets with guitar’s ruminations on the (fleeting, legato) heights. The “nightmare” of non-mutuality sustains the critical project, maintaining the precipice (and inclination) of being as the point of lacerating potentiality.