antiracism |

Preemptively establishing a dislocated, disaffected white subjectivity (which doesn’t even know a “they” or the difference between “thick or thin” blood), track transitions to a more attenuated voice. The Negro observers are “big and strong” but evidently “don’t know what goes on” and must attempt to make sense of the (literal and moral) vacancy of white spaces. Longing for a studious (and continually impos[ed/ing]) Black estrangement, then, undergirds anti-racist visions; overblown saxophone is on to this formulation, signing off its observance of this phenomena.