Eight-minute repetition of same chord progression, but it’s the embellishments that count: chorused-out church bell chimes at end, notes picked behind the guitar’s bridge or nut, weak crescendos that never remain erect. Tornadic phased feedback at middle and end refute all of these sonic gimmicks by noting the effected-ness of the fundamental—the limit of the “What would Jesus do?” question. Quadruple-mediation (voice-text-reading-incorporation) outmoded; the fundamental becomes that which we can know through a profession of incomplete knowing, when the “no” is central to “know.”